The view from inside Mark Snyder's new winery in Red Hook, Brooklyn
By Sasha Smith, New York City Correspondent
Technically, Brooklyn is part of Long Island, so it’s fair to call Red Hook home to one of Long Island’s newest wineries. The as-yet-unnamed winery is a joint project between distributor Mark Snyder, Napa winemakers Robert Foley and Abe Schoener, Michael Cinque from Amagansett Wines and Max Loubiere, a long-time friend of Snyder’s and Billy Joel’s tour director. (Snyder is a veteran of the music industry.) The project sources fruit from a number of Long Island growers/vineyards, including Macari Vineyards, Jamesport Vineayrds, Split Rock Vineyard, Ackerly Pond Vineyards and Anderson Vineyard.
Snyder kindly invited me to the winery last month where we tasted through the wines, still in barrel, and he told me about the philosophy behind the winery. He said that he had largely been disappointed with the quality of Long Island wines he had tasted, citing a “lack of style” for the entire region. For Snyder, Long Island producers too often try to emulate a particular style – taking either a typically New World or Bordeaux approach – rather than letting the vineyard speak for itself. Snyder also believes that because it’s relatively easy for wineries to sell most of their product straight from the cellar door, there’s little incentive to improve and try to compete in the global marketplace.
The winery’s goal is to bring some serious ambition to the region, largely at the hands of consulting winemakers Bob Foley and Abe Schoener. (On-site winemaker Christopher Nicolson, formerly of Littorai in Sonoma, does the day-to-day heavy lifting.) Foley, the former winemaker at Pride Mountain and now at his own eponymous winery, specializes in powerful reds, particularly those made with cabernet sauvignon and merlot. Schoener is the philosopher/winemaker behind The Scholium Project, a collection of iconoclastic wines (eg, Sauvignon Blanc fermented on its skins).
Snyder characterizes Foley as a fairly traditional, “clean” winemaker, whereas Schoener takes a more experimental approach – intentional oxidation of some whites, leaving the wine on its lees until bottling, and minimal use of sulfites. Working with the same batch of fruit, Foley and Schoener create two very different wines.
For example, in Foley’s hands, merlot from Bruce Schneider’s Anderson vineyard is coffee bean, smoke, chocolate and black fruit, whereas Abe Schoener’s interpretation has much more pronounced tannins and red fruit characteristics. When these wines are bottled, beginning this spring for the whites, they’ll provide an edifying experience for anyone who wants to understand how winemaking techniques affect the characteristics of the final product.
As for the work in the vineyard, the team advocates what Snyder calls “extreme farming.” They scouted promising plots and worked with the growers/producers to ensure that they’d have a big say in farming decisions. Most notably, they insisted on extensive hang time, in some cases picking long after most everyone else on Long Island. In the poor, rain-plagued 2008 vintage, this decision was not for the faint of heart. One of their blocks at Macari, which usually yields anywhere between 8-10 tons of fruit, ended up producing 1.1 tons of fruit after the rains (and birds) took their share.
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